| Other mouthpieces, ligatures and necks |
Tenor saxophone mouthpieces available |
List updated 24. September 2021 Recent changes in red For questions or pictures, telephone +45 twenty 85 twelve 31 or write to: donotto"AT"oncable (dot) dk Tip openings have been measured with a Digital Tip Opening Gauge from Theo Wanne. COVID-19: Mouthpieces are washed with soap and dried for a week before shipping. Unless stated otherwise, the mouthpieces are used and are sold without ligature and cap. Mouthpieces will be shipped from Denmark. Sales are private meaning that returns are not accepted unless agreed upon on beforehand. Mouthpieces are sold as is. Therefore, please ask all questions before buying. |
| Chamber sizes are all measured by me | |||||
| Metal Mouthpieces |
|||||
| Brand |
Tip |
Chamber /
Facing mm |
NB:
Price in Euros. Shipping cost and bank fees will be
added
|
Price | |
| Ben Davis |
.064" |
Large / 26 |
Ben Davis STREAMLINE- Polygonal shape,
Original Otto Link-style ligature. Large chamber. This is
an amazing mouthpiece. Not loud, but it has a beautiful,
velvet-soft tone with a golden "ring" to it. Rigotti Jazz
#4. Read about the revolutionary chamber
construction in this old advertisement,
probably from the 50's. (Ben Davis started Selmer UK in
1928 and clearly knew what he was doing.) |
99 |
|
| Berg Larsen |
.099" |
Medium-Small
/ 26 |
Chrome plated 110/2/SMS Short scoop bill,
Step Baffle, sideways milling lines on table. Original
ligature. |
220 |
|
| Berg Larsen |
.099" |
Medium-Small / 26 |
Berg Larsen 100/2/SMS Stainless Steel
Short scoop bill, step baffle. Good player. Not too
bright. Has a nice "buzz" to the tone. |
165 |
|
| Brilhart |
.091" |
Medium
/ 30 |
Brilhart Level-Air 5 s/n 3172 Stainless
Steel. This is the version made before Selmer in 1966 took
over Brilhart company as seen by the milling marks across
the table and the glossy baffle. These are better players
than the later ones. Very interesting mouthpiece for those
who like Berg Larsen and Dukoff. Has a surprisingly dark
core, but can also really wail. |
139 |
|
| Dukoff | .088" |
Small
/ 23 |
Silverite P6 (Dukoff stamp missing) with
original box. New demo piece from shop. Good sound, edgy
but absolutely not thin. Good for funk and acid jazz.
Table flattened. Facing optimized. Very good player now. |
140 |
|
| Dukoff | .107" |
Medium
/ 24 |
Super Power Chamber Silverite M7
Miami, Florida. Previous owner has introduced a bullet
chamber. Otherwise, the mouthpiece looks unplayed. Facing
curve is perfect, and mpc plays very easily (Rico Jazz
2M). Sound is rather dark and not thin. Has a pleasant
sizzle to it. Reminds me of the H-model. New original box.
A real bargain. |
165 |
|
| Dukoff |
.111" |
Small / 25 |
Super Power Chamber Silverite D10 Miami,
Florida. This mouthpiece has a darker sound than normal
for the "D"-Dukoff's. Plays well. |
140 |
|
| Dukoff |
.127" |
Medium
/ 27 |
Dukoff "Original Large Chamber" LD 10 Miami, Florida, with ligature. Almost like new. Plays effortless from top to bottom. Sound is "Linkish" and more full than the D model. Powerful and with a nice edge. Can compete with electric guitars, but also useful for jazz. Use La Voz MS | 200 | |
| Guardala | .105" |
Medium / 24 |
Original Dave Guardala handmade Dave Liebman
Pure Brass s/n 1 H 7 (Box says Silver Plated)
Very good shape. This model has a dark core and a
penetrating edge. It is a very versatile mouthpiece which
is a pleasure to play. Altissimo is very easy. Works fine
with La Voz Medium and Rigotti Gold 3. Comes with Rovner
ligature and cap and original cylindrical cardboard box.
Free shipping. |
989 |
|
| Guy Hawkins |
.107" |
Small / 22 |
Guy Hawkins 9 (on shank) |
110 |
|
| Lawton |
.100" |
XSmall
/ 26 |
Lawton 7 STAR (Geoff) Larger Font. The
first Lawton I have tried that I like. Full sound, easy to
play. Has some edge, but not thin. Complete with ligature
and "cap" and original box. The friend I am selling it
for, purchased it directly from Geoff and it has never
been refaced. |
335 |
|
| Otto Link |
.100" |
Large / 22
- 23 |
Otto Link "Super" ToneMaster, 8 on the shaft. Measures as a 7, but does not look refaced. Thin material below table. No ligature or cap. Rico Royal 2 or 2,5. Plays easily with a brightish tone. | 210 |
|
| Otto Link |
.107" |
XLarge / 23 |
Otto
Link "Super" ToneMaster, 8 on the
shaft. Ligature and cap. Thin material below table. Very
easy to play. Good Link sound with a nice edge and fat
bottom when you blow strongly. Blowing soft takes the edge
away. On trial |
249 |
|
| Otto Link |
.113" |
Large / 34 |
Otto Link STM 9* on shaft Refaced by Bo Meyer
who has done a really good job. Plays effortless with a
fat and full tone with a nice edge. With ligature |
220 |
|
| Otto Link |
.119" |
Large / 23 |
Otto Link "Super"
ToneMaster 9 Early Babbitt Nice step
baffle. Good player. Sound is darker than most Links I
have tried and quite dry. Nice sizzle to the sound. Comes
with original cap and ligature. Selling for Bob Rockwell |
230 |
|
| Peter Ponzol |
.108" |
Small / 23 |
Peter Ponzol. M2. 110. Very good player,
not too bright, quite link'ish sound. Reed La Voz Medium.
|
210 |
|
| Selmer |
.067" |
XSmall
/ 19 |
Selmer "Jazz" C*. This model has the horse-shoe chamber. | 170 |
|
| Selmer |
.085" |
XSmall / 19 |
Selmer "Jazz" F Former owner has created a narrow "bullet chamber". Good player. Tone is full and smooth, and has a nice ring to it. Useful for smooth jazz. | 165 |
|
| Wolfe Tayne |
.080" |
Small
/ 21-22 |
Wolfe Tayne 6 (on table) Gold plated brass.
Sideways milling marks on table, pronounced baffle.
Original (Keilwerth style) ligature. Could very well be
the inspiration for one of Guardalas brighter pieces. |
150 |
|
| Yanagisawa |
.110" |
Small / 24 |
Yanagisawa 9 Old logo (lyre) Has been
played for a period by Bob Rockwell. Silver plating
missing on table and partly on top. Ligature and cap.
Super player with a bright tone but also a good core.
Sounds the way a good Dukoff Miami ought to sound. Reed
2,5 |
170 |
|
| Zagar | .100" |
Large / 25 |
Zagar Cool School, Chamber and facing modeled after a slant signature Link. Extraordinary good player. Reed 2 - 2,5. Sound is Linkish but with more body and less sizzle. Almost plays by itself. Invites to fast phrasing. | 195 |
|
| Zagar |
.099" |
Small
/ 24 |
Zagar "Hot School" is a very cool looking
aluminium mouthpiece designed to sound like a Florida
Link. And it does so surprisingly well. So here is your
chance to get the Florida sound without having to rob a
bank. Comes with a non-original lig and cap. |
150 |
|
| Mouthpieces made from Hard Rubber
(Ebonit), plastic and other materials |
|||||
| Brand |
Material |
Tip |
Chamber /
Facing mm |
NB:
Price in Euros. Shipping cost and bank fees will be
added
|
Price |
| Aizen |
Resin |
.096" |
Large / 28 |
Aizen LS 7* Copy of Otto Link Slant
Signature. Like new. Easy to blow. Loud playing mpc. More
bright than most Link copies. |
220 |
| ARB (Brilhart) |
Plastic |
.090" |
Small
/ 22 |
ARBEX(B) 4S. Black with white bite plate. Bullet chamber like the Beechler Diamond Dot (small chamber). Very easy to play. Edgy sound with a good core. Altissimo just pops out. Fine for R&B and rock. (Original facing) | 110 |
| BARI |
HR |
.090" |
Small / 22 |
Metal
shank (like the famous soprano pieces) "90". An
extraordinary player, both sound and playability. This was
made when Wolfe Tayne owned the company in Ft. Lauderdale,
Florida. Great fun to play, almost impossible to stop
playing. Rather bright sound. Reed 2,5 or 3 |
140 |
| BARI |
HR |
.105" |
XSmall
/ 25 |
Hard Rubber 105, metal shaft. Made when Wolfe Tayne still ran the company in Ft. Lauderdale. Bright sounding mouthpiece with a lot of colour. Fun to play. (La Voz Medium works fine). Comes with original violet tube. | 140 |
| Beechler |
Plastic |
.088" |
Small / 24
- 26 |
Beechler Diamond S6S Black. Powerful
bright tone, can compete with Dukoff D7 and electric
guitars. |
110 |
| Beechler |
Plastic |
.091" |
Small / 20 |
Beechler Diamond S7S Black. From the 90's Easy to play. Sounds like a Dukoff Miami D7. Edgy sound, egal from bottom to top. Well suited for playing with electric guitars. | 99 |
| Berg Larsen |
HR |
.097" |
Small / 25 |
Berg Larsen Slant Signature Precision "??" Has been played a lot. Looks refaced, not signed, but well done. Plays very well, loud and medium edgy. Baffle modfied with Frank Wells-grooves. Plays darker and less edgy now. Still powerful. | 165 |
| Berg Larsen |
HR |
.100" |
XSmall / 27 |
Berg Larsen 90/1/SMS (Offset) Duck Bill Bullet Chamber. Very powerful tone with good core. Lots of edge, but not thin. Good for rock and funk, and good player. La Voz Medium | 165 |
| Berg Larsen |
HR |
.118" |
XSmall / 31 |
Berg Larsen 120/2/SMS (Offset) Select
Duck bill, Bullet Chamber. Original lig and cap. Selling
for Bob Rockwell |
140 |
| Berg Larsen | HR |
.124" |
XSmall / 31 |
Marbled HR 120/2/SMS Bullet Chamber. Like
new, with original ligature and clear plastic cap |
110 |
| Bilger |
HR |
.094" |
XSmall / 25 |
Bilger S** Slimline. Use alto ligature.
Bright modern sound, in class with Dukoff D |
110 |
| Brilhart |
Plastic |
.073" |
Medium / 28 |
Ebolin (Black) 6, No serial. Facing has
been optimized and it is now a very good player with a
strong, masculine sound. Comes with Selmer ligature and
plastic cap. Use a reed 3,5 |
89 |
| Brilhart |
Plastic |
.086" |
Medium / 24 |
Ebolin (Black) 5 s/n
92804 (Carlsbad). Broken tip repaired. Facing corrected
and slightly lengthened to ease low tones. Plays very well
now with that Gene Ammons vibe. |
99 |
| Brilhart |
Plastic |
.080" |
Medium / 22 |
Tonalin (White) Streamline 4* Serial
29487 (Huntington, N.Y. period). Very good player.
The Streamlines are slim and have been played by Stan Getz
and Charlie Parker. |
145 |
| Brilhart |
Plastic |
.094" |
Medium / 18 |
Tonalin (White) 6* Made in England s/n 34582.
Bite plate was missing. I have made a new. The shank has
been secured against cracking with a factory installed
metal ring. In my opinion, the Brilhart pieces made in
England are even better than those made in the USA. |
135 |
| Brand |
Material |
Tip |
Chamber /
Facing mm |
NB:
Price in Euros. Shipping cost and bank fees will be
added
|
Price |
| Buescher |
Plastic |
.078" |
Small
/ 22 |
Buescher, Elkhart Indiana, 3. Like new.
Nice rails. Neutral sound, polished. Straight side walls.
Brilhart-made ?? |
70 |
| Buffet |
HR |
.089" |
Medium / 22 |
Buffet Crampon E. Straight sidewalls in
chamber. Very fine shape. Looks like the Selmer USA blank.
Very easy to blow. The sound is darkish, warm. Not much
edge. Can play loud if needed. Original Buffet Crampon
ligature. Reed 2,5 |
165 |
| Buffet |
HR |
.091" |
Small / 24 |
Evette
& Schaeffer. Tip opened, and
facing slightly adjusted. Plays almost by itself with a
dark tone and a nice edge. "Poor man's slant sig" |
140 |
| Claude Lakey |
Plastic |
.105" |
Small / 24
|
"Jazz3" 7*3. Characteristic bright Lakey sound. Easy altissimo | 70 |
| Claude Lakey |
Plastic |
.105" |
Medium / 24 |
"Jazz 3", 7*3 Very easy to play. Invites
to ultra-fast playing. Bright sound, not so much core.
Very easy altissimo |
70 |
| Conn |
Plastic |
.083" |
Medium / 22 |
Conn "Comet" 5 with original brass ligature.
Easy to blow. Reed #3. Made by Runyon for Conn and
included with the Conn "Constellation" saxophones |
110 |
| Couesnon |
HR |
.069" |
Medium / 25 |
Coeusnon with no markings. Facing adjusted and tip opened slightly. Now plays with same reed as a Selmer Soloist E and with a similar sound. | 80 |
| d'Addario |
HR |
.103" |
XSmall / 23 |
D'Addario Select Jazz D6M s/n 002637. Good
player with a rather bright tone. This model is based on a
Freddie Gregory Mark
IV mouthpiece. Very well suited for modern jazz. |
110 |
| Drake |
Resin |
.083" |
Large / 24 |
Drake copy of Stan Getz's Slant signature Otto
Link 5* This is the tip opening that Getz himself
played. Fantastic piece. Easy to blow and with a singing
quality normally only found in old HR pieces. Not
produced anymore by Drake. |
280 |
| Gale |
HR |
.091" |
Small / 31 |
Gale triple rail with metal shank. Third rail
removed I got this as a blank, took out the
middle rail and optimized the facing. It is a very good
player now with a broad-shouldered tone with edge. Think Sonny
Rollins. Can play LOUD. Reed 2,5 Try
risk free. Full payment refunded including
shipping if you don't want to keep it. (But most likely,
it will not be returned. It's really good. 😎) |
140 |
| Sakshama Guardala |
Plastic |
.135" |
Small / 27 |
Sakshama G (Guardala clone) Black Delrin. This
is a surprisingly good mpc. And a very good alternative to
a metal laser trimmed. The metal has more core, but try a
heavy ligature (Rovner) and a La Voz reed. Great fun to
play. Cuts like the real stuff, so an affordable
alternative to a metal copy. |
139 |
| Keilwerth |
HR |
.094" |
Small / 25 |
Keilwerth Toneking 4 Tip opened from .074" to
.094". Fantastic darkish sound. Can play loud. Very easy
to play. Reed 2,5. Slim shape. Use clarinet ligature |
95 |
| Lelandais | HR |
.058" |
XSmall
/ 24 |
"Qualitι Superieure", 6
(Large Font) Opened by Istvan Gabor to Selmer C**. Plays
very easily with a singing, full and slightly soft tone.
Think "Paul Desmond on tenor" |
139 |
| Lelandais |
HR |
.060" |
Medium
/ 26 |
"Qualitι Superieure", 7 (Small Font) Don't be afraid of the small tip. It plays well with a JAVA 3,5 or 4, giving a loud and masculine, Rollins-like tone. Has a rather long facing so take more mouthpiece in and really fill the horn with air. | 95 |
| Lelandais |
HR |
.070" |
XSmall / 24 |
Lelandais "Super Trumpet" IV Has
the famous "horisontal oval"-shaped chamber. Very easy
playing from top to bottom. A warm, friendly tone with a
jazzy flavour. Reed #4 works fine. |
139 |
| Meyer Bros. |
HR |
.084" |
Small / 23 |
Meyer Bros. New York. 6M Medium Chamber (Small
font). Original Meyer ligature and cap. Plays easily with
a darkish tone and a moderat edge. |
249 |
| Meyer |
HR |
.070" |
Large / 19 |
Modern Meyer 5M Medium chamber. Made in USA. Neutral sound. | 97 |
| Meyer |
HR |
.087" |
Large / 24 |
Modern Meyer ?? Medium chamber. Made in USA.
Refaced to larger tip. Facing curve similar to Dukoff
Hollywood. Easy to blow. Egal sound over the horn. Warm,
soft with a slight edge. |
110 |
| Meyer |
HR |
.094" |
Small / 24 |
Meyer 9M Medium Chamber. Made in USA. Very
easy to play.Big, bold sound with core and edge. The
perfect jazz mouthpiece. |
110 |
| Meyer |
HR |
.094" |
Medium / 22 |
Meyer M8M. Made in USA Good
player. Tone is dark and dry, but warm. Think Coleman
Hawkins. Rigotti Jazz 2,5 |
110 |
| Morgan |
HR |
.092" |
Small / 25 |
Morgan Jazz 6M s/n 18029. I believe it was
made while Ralph was still alive. Very good player, as all
Morgan mouthpieces. Tone is neutral with some edge. Can
play loud. Reed Rigotti 3. |
220 |
| Otto Link |
HR |
.079" |
Large / 23 |
Otto Link Tone Edge 4* IV generation Early
Babbitt. This has the number (2)
inside the chamber making it a generation
4 early Babbitt.
Probably refaced, but well done. Good player with the
typical Otto Link sound. |
139 |
| GetASax |
Resin |
.080" |
Large / 24 |
GetASax Reso Chamber 5 J.A. Model. This is a
copy of Brian's original J.A. RESO. Very easy to play. The
sound is not the same as the Reso I used to own, but more
modern or brighter. Still a very good substitute for the
real stuff. Only playtested. Sold for the net price
without the shipping and duty I paid. Read more here |
170 |
| Otto Link |
HR |
.087" |
Large / 24 |
Otto Link Tone Edge 6 Clam shell
baffle. Easy to play. Sound is soft and darkish. Not
much edge. Reed 3,5 or La Voz Med Hard |
139Large / 24 |
| Otto Link |
HR |
.100" |
Large / 23 |
Otto Link Tone Edge 7*. Early Babbitt
Good average Otto Link with typical tone. |
110 |
| Brand |
Material |
Tip |
Chamber /
Facing mm |
NB:
Price in Euros. Shipping cost and bank fees will be
added
|
Price |
| Martin |
Plastic |
.090" |
Medium
/ 30 |
Martin Unmarked. Looks refaced. Plays
well. Sounds like a Meyer. |
70 |
| Phil Barone |
HR |
.101" |
Small / 26 |
Phil Barone V 7* Very good player, from top to bottom. Modern slender tone with medium edge. Surprisingly versatile. It can play really loud but also soft. I guess it's like driving a Harley motorbike in heavy traffic. 😎 The bottom is full and dark. | 195 |
| Runyon |
Plastic |
.096" |
Small / 24 |
Custom 9, Translucent, Amber. Very cool. This
was my first tenor mpc which I sold to a friend who passed
away in January. I sell it for his widow. Very easy and
fun to blow. The Runyon company is closed and these are
getting very rare. The Custom model was arguably their
best. Sound is typical Runyon as known from Art Pepper.
Reed 3 |
85 |
| Runyon |
Plastic |
.085" |
Small / 23 |
Runyon 6 Black with cap and original lig.
Easy to blow. Reed #3. Modern sound with dark core and
nice edge. |
85 |
| SYOS |
Plastic |
.102" |
XSmall / 24 |
SYOS Joshua Redman prototype 8* (Selling
for Bob Rockwell) No baffle, small shamber, dark
sound (Bob's description) Blue colour |
98 |
| Selmer |
HR |
.075" |
Small / 24 |
Selmer Short Shank Soloist B* Opened to C** by
Istvan Gabor. Easy to play. Tone is darkish and singing.
Very egal over the horn. Reed 4 |
195 |
| Selmer |
HR |
.070" |
Small / 23 |
Selmer Soloist Style C. Measures like a C*,
so is possibly refaced but well done. Good player. |
110 |
| Selmer |
HR |
.076" |
Small / 23 |
Selmer S 80 "D". Square chamber. Table
has been flattened, a baffle has been added and facing
corrected. Good player with a full sound, medium edgy.
Reed Rigotti Gold 3,5. |
70 |
| Brand |
Material |
Tip |
Chamber /
Facing mm |
NB:
Price in Euros. Shipping cost and bank fees will be
added
|
Price |
| Vandoren |
HR |
.080" |
Small / 24 |
Vintage Vandoren "7" Same blank as the Diamond
Perfecta, which is the model with the best rubber Vandoren
has ever had. Tip opened from .061" and facing
optimizeded. Wonderful player with a singing, modern
sound. Reed #3 Vandoren Masters lig and silver plated
Bonade inverted cap |
110 |
| Vandoren |
HR |
.091" |
XSmall
/ 20 |
Vintage Vandoren "S" #8 This is an early precursor for the JAVA with better rubber. Very versatile, can play loud but not as thin sounding as the JUMBO. Reed 2,5 works fine for me. Good alternative to a Berg and more versatile than a Guardala. | 110 |
| Vandoren |
HR |
.087" |
Small / 21 |
Blue JAVA T45. There is good reason the
blue JAVA's are popular. Very flexible mouthpieces in
regards to dynamics, colour of sound and projection. |
140 |