| Other mouthpieces, ligatures and necks |
Tenor saxophone mouthpieces available |
List updated 4. August 2022 Recent changes in red For questions or pictures, telephone +45 twenty 85 twelve 31 or write to: donotto"AT"oncable (dot) dk Tip openings have been measured with a Digital Tip Opening Gauge from Theo Wanne. COVID-19: Mouthpieces are washed with soap and dried for a week before shipping. Unless stated otherwise, the mouthpieces are used and are sold without ligature and cap. Mouthpieces will be shipped from Denmark. Sales are private meaning that returns are not accepted unless agreed upon on beforehand. Mouthpieces are sold as is. Therefore, please ask all questions before buying. |
| Chamber sizes are all measured by me | |||||
| Metal Mouthpieces |
|||||
| Brand |
Tip |
Chamber /
Facing mm |
NB:
Price in Euros. Shipping cost and bank fees will be
added
|
Price | |
| Berg Larsen |
.099" |
Medium-Small
/ 26 |
Chrome plated 110/2/SMS Short scoop bill,
Step Baffle, sideways milling lines on table. Original
ligature. |
€165 |
|
| Berg Larsen |
.099" |
Medium-Small / 26 |
Berg Larsen 100/2/SMS Stainless Steel
Short scoop bill, step baffle. Good player. Not too
bright. Has a nice "buzz" to the tone. |
€165 |
|
| Berg Larsen |
.109" |
Medium / 35 |
Berg Larsen 120/2/SMS
Stainless Steel. Short scoop bill, step baffle. Sideways
milling lines on table. Original ligature and cap. Very
good player with a very jazzy tone. Nice balance between
edge and core. |
€165 |
|
| Brilhart |
.091" |
Medium
/ 30 |
Brilhart Level-Air 5 s/n 3172 Stainless
Steel. This is the version made before Selmer in 1966 took
over Brilhart company. Very good player. Brilharts attempt
to compete with Berg Larsen. Has a surprisingly dark core,
but can also really wail. Alto version was played by
Ornette Coleman and by David Sanborn, and is still played
by Edgar Winter. |
€139 |
|
| Dukoff | .088" |
Small
/ 23 |
Silverite P6 (Dukoff stamp missing) with
original box. New demo piece from shop. Good sound, edgy
but absolutely not thin. Good for funk and acid jazz.
Table flattened. Facing optimized. Very good player now. |
€140 |
|
| Dukoff | .107" |
Medium
/ 24 |
Super Power Chamber Silverite M7
Miami, Florida. Previous owner has introduced a bullet
chamber. Otherwise, the mouthpiece looks unplayed. Facing
curve is perfect, and mpc plays very easily (Rico Jazz
2M). Sound is rather dark and not thin. Has a pleasant
sizzle to it. Reminds me of the H-model. New original box.
A real bargain. |
€165 |
|
| Dukoff |
.111" |
Small / 25 |
Super Power Chamber Silverite D10 Miami,
Florida. This mouthpiece has a darker sound than normal
for the "D"-Dukoff's. Plays well. |
€140 |
|
| Dukoff |
.127" |
Medium
/ 27 |
Dukoff "Original Large Chamber" LD 10 Miami, Florida, with ligature. Almost like new. Plays effortless from top to bottom. Sound is "Linkish" and more full than the D model. Powerful and with a nice edge. Can compete with electric guitars, but also useful for jazz. Use La Voz MS | €200 | |
| Guy Hawkins |
.107" |
Small / 22 |
Guy Hawkins 9 (on shank) |
€110 |
|
| Otto Link |
.100" |
Large / 22
- 23 |
Otto Link "Super" ToneMaster, 8 on the shaft.
Measures as a 7, but does not look refaced. Thin material
below table. No ligature or cap. Rico Royal 2 or 2,5.
Plays easily with a brightish tone. Price reduced |
€170 |
|
| Otto Link |
.113" |
Large / 34 |
Otto Link STM 9* on shaft Refaced by Bo Meyer
who has done a really good job. Plays effortless with a
fat and full tone with a nice edge. With ligature. Price reduced |
€195 |
|
| Peter Ponzol |
.110" |
XSmall / 23 |
Peter Ponzol M2 110 Stainless steel.
Original lig and cap. Selling for Bob Rockwell. |
€210 |
|
| Selmer |
.067" |
XSmall
/ 19 |
Selmer "Jazz" C*. This model has the horse-shoe chamber. | €170 |
|
| Selmer |
.085" |
XSmall / 19 |
Selmer "Jazz" F Former owner has created a narrow "bullet chamber". Good player. Tone is full and smooth, and has a nice ring to it. Useful for smooth jazz. | €165 |
|
| Wolfe Tayne |
.080" |
Small
/ 21-22 |
Wolfe Tayne 6 (on table) Gold plated brass.
Sideways milling marks on table, pronounced baffle.
Original (Keilwerth style) ligature. Could very well be
the inspiration for one of Guardalas brighter pieces. |
€150 |
|
| Yanagisawa |
.110" |
Small / 24 |
Yanagisawa 9 Old logo (lyre) Has been
played for a period by Bob Rockwell. Silver plating
missing on table and partly on top. Ligature and cap.
Super player with a bright tone but also a good core.
Sounds the way a good Dukoff Miami ought to sound. Reed
2,5 |
€170 |
|
| Zagar | .100" |
Large / 25 |
Zagar Cool School, Chamber and facing modeled after a slant signature Link. Extraordinary good player. Reed 2 - 2,5. Sound is Linkish but with more body and less sizzle. Almost plays by itself. Invites to fast phrasing. | €195 |
|
| Mouthpieces made from Hard Rubber
(Ebonit), plastic and other materials |
|||||
| Brand |
Material |
Tip |
Chamber /
Facing mm |
NB:
Price in Euros. Shipping cost and bank fees will be
added
|
Price |
| Aizen |
Resin |
.096" |
Large / 28 |
Aizen LS 7* Copy of Otto Link Slant
Signature. Like new. Easy to blow. Loud playing mpc. More
bright than most Link copies. |
€165 |
| ARB (Brilhart) |
Plastic |
.090" |
Small
/ 22 |
ARBEX(B) 4S. Black with white bite plate. Bullet chamber like the Beechler Diamond Dot (small chamber). Very easy to play. Edgy sound with a good core. Altissimo just pops out. Fine for R&B and rock. (Original facing) | €110 |
| BARI |
HR |
.090" |
Small / 22 |
Metal
shank (like the famous soprano pieces) "90". An
extraordinary player, both sound and playability. This was
made when Wolfe Tayne owned the company in Ft. Lauderdale,
Florida. Great fun to play, almost impossible to stop
playing. Rather bright sound. Reed 2,5 or 3 |
€140 |
| Beechler |
Plastic |
.088" |
Small / 24
- 26 |
Beechler Diamond S6S Black. Powerful
bright tone, can compete with Dukoff D7 and electric
guitars. |
€110 |
| Beechler |
Plastic |
.091" |
Small / 20 |
Beechler Diamond S7S Black. From the 90's Easy to play. Sounds like a Dukoff Miami D7. Edgy sound, egal from bottom to top. Well suited for playing with electric guitars. | €99 |
| Berg Larsen |
HR |
.100" |
XSmall / 27 |
Berg Larsen 90/1/SMS (Offset) Duck Bill Bullet Chamber. Very powerful tone with good core. Lots of edge, but not thin. Good for rock and funk, and good player. La Voz Medium | €165 |
| Berg Larsen |
HR |
.100" |
XSmall / 25 |
Berg Larsen 95/1/SMS (Slanted print - Offset)
Bad refacing corrected. Very good player now. Quite bright
but still with a fine core. Fine for funk and acid jazz. |
€165 |
| Berg Larsen |
HR |
.118" |
XSmall / 31 |
Berg Larsen 120/2/SMS (Offset) Select
Duck bill, Bullet Chamber. Original lig and cap. Selling
for Bob Rockwell |
€140 |
| Berg Larsen | HR |
.124" |
XSmall / 31 |
Marbled HR 120/2/SMS Bullet Chamber. Like
new, with original ligature and clear plastic cap |
€110 |
| Bilger |
HR |
.094" |
XSmall / 25 |
Bilger S** Slimline. Use alto ligature.
Bright modern sound, in class with Dukoff D |
€110 |
| Brilhart |
Plastic |
.073" |
Medium / 28 |
Brilhart Ebolin (Black) 6, No serial.
Facing has been optimized and it is now a very good player
with a strong, masculine sound. Comes with Selmer ligature
and plastic cap. Use a reed 3,5 |
€89 |
| Brilhart |
Plastic |
.090" |
Medium / 24 |
Brilhart Ebolin (Black)
5 s/n 92804 (Carlsbad). Broken tip repaired. Facing
adjusted so it plays as if it had a .110" facing (Otto
Link 8) |
€99 |
| Brilhart |
Plastic |
.083" |
Large / 21 |
Brilhart Personaline (W)
S6 s/n 103664 "Dracula has been here"
(heavy tooth marks) which means that someone has
been playing it a lot. And it is indeed a very good player
with a powerful sound and a nice edge. On trial |
€140 |
| Brilhart |
Plastic |
.078" |
Large / 25 |
Brilhart Personaline (W)
L6 s/n 167268 Stamped EJZ.
Plays really well with a bold sound and a nice edge in the
upper register. NB! The facing fits perfectly to a tip of
.085". This means that you can use the same reed as for a
.085" tip |
€140 |
| Brand |
Material |
Tip |
Chamber /
Facing mm |
NB:
Price in Euros. Shipping cost and bank fees will be
added
|
Price |
| Buescher |
Plastic |
.080" |
Small
/ 22 |
Buescher, Elkhart Indiana, 3. Like new. Very
good player, top to bottom. Powerful, broad sound in the
low register, nice bright sound in the top. Poor mans
Brilhart Ebolin. |
€80 |
| Bundy |
HR |
.088" |
Small / 24 |
Geo M. Bundy 3 Slant
signature Tip opened, facing optimized to
Dukoff Hollywood. VERY good player. Reed 3 |
€140 |
| Buffet |
HR |
.089" |
Medium / 22 |
Buffet Crampon E. Straight sidewalls in
chamber. Very fine shape. Looks like the Selmer USA blank.
Very easy to blow. The sound is darkish, warm. Not much
edge. Can play loud if needed. Original Buffet Crampon
ligature. Reed 2,5 |
€165 |
| Buffet |
HR |
.091" |
Small / 24 |
Evette
& Schaeffer. Tip opened, and
facing slightly adjusted. Plays almost by itself with a
dark tone and a nice edge. "Poor man's slant sig" |
€140 |
| Claude Lakey |
Plastic |
.105" |
Small / 24
|
"Jazz3" 7*3. Characteristic bright Lakey sound. Easy altissimo | €70 |
| Claude Lakey |
Plastic |
.105" |
Medium / 24 |
"Jazz 3", 7*3 Very easy to play. Invites
to ultra-fast playing. Bright sound, not so much core.
Very easy altissimo |
€70 |
| Conn |
HR |
.060" |
XXLarge / 27 |
Conn Eagle Trade Mark.
This is the mouthpiece which came with the "Chu Berry's"
It has a very large chamber which secures optimal
intonation on these old Conns. Fat dark sound, no
edge. Plays well with a harder reed. (4 - 5) |
€110 |
| Conn |
HR |
.069" |
XXLarge / 24 |
Conn Standard Steelay 8.
This is the mouthpiece Conn delivered with the 10M model
from mid 30's and until 1956. Very large chamber meaning
good intonation on a Naked Lady horn. Super player with a
reed #4. Very good sound, think Coleman Hawkins. Sold |
€110 |
| Conn |
Plastic |
.083" |
Medium / 22 |
Conn "Comet" 5 with original brass ligature.
Easy to blow. Reed #3. Made by Runyon for Conn and
included with the Conn "Connstellation" saxophones. The Connstellation
was only made for alto but the mouthpiece was
also made for tenor saxophone. |
€110 |
| Couesnon |
HR |
.069" |
Medium / 25 |
Coeusnon with no markings. Facing adjusted and tip opened slightly. Now plays with same reed as a Selmer Soloist E and with a similar sound. | €80 |
| d'Addario |
HR |
.103" |
XSmall / 23 |
D'Addario Select Jazz D6M s/n 002637. Good
player with a rather bright tone. This model is based on a
Freddie Gregory Mark
IV mouthpiece. Very well suited for modern jazz. |
€110 |
| Gale |
HR |
.085" |
Small / 30 |
Gale triple rail with metal shank. Third rail
removed, facing created, table tilted and a small baffle
added. Very good player now. Full tone with good balance
between edge and core. Reed 3 |
€138 |
| Keilwerth |
HR |
.094" |
Small / 25 |
Keilwerth Toneking 4 Tip opened from .074" to
.094". Fantastic darkish sound. Can play loud. Very easy
to play. Reed 2,5. Slim shape. Use clarinet ligature |
€95 |
| Lelandais |
HR |
.070" |
XSmall / 24 |
Lelandais "Super Trumpet" IV Has
the famous "horisontal oval"-shaped chamber. Very easy
playing from top to bottom. A warm, friendly tone with a
jazzy flavour. Reed #4 works fine. |
€95 |
| Martin |
Plastic |
.087" |
Medium
/ 25 |
Martin with star above and below. Facing
optimized. Very good player now with a fat warm sound,
slight edge when pushed. Reed 2,5 Good all-round player |
€110 |
| Meyer Bros. |
HR |
.085" |
Small / 21 |
Meyer Bros. 7M Medium Chamber (Small font) New
York. Very easy to play. Powerful tone, dark in the
bottom, bright in the top. Good lead mouthpiece. Sold |
€249 |
| Meyer |
HR |
.087" |
Large / 24 |
Modern Meyer ?? Medium chamber. Made in USA.
Refaced to larger tip. Facing curve similar to Dukoff
Hollywood. Easy to blow. Egal sound over the horn. Warm,
soft with a slight edge. |
€110 |
| Meyer |
HR |
.094" |
Medium / 22 |
Meyer M8M. Made in USA Good
player. Tone is dark and dry, but warm. Think Coleman
Hawkins. Rigotti Jazz 2,5 |
€110 |
| Morgan |
HR |
.092" |
Small / 25 |
Morgan Jazz 6M s/n 18029. I believe it was
made while Ralph was still alive. Very good player, as all
Morgan mouthpieces. Tone is neutral with some edge. Can
play loud. Reed Rigotti 3. |
€220 |
| Otto Link |
HR |
.087" |
Large / 24 |
Otto Link Tone Edge 6 Clam shell
baffle. Easy to play. Sound is soft and darkish. Not
much edge. Reed 3,5 or La Voz Med Hard |
€139 |
| Brand |
Material |
Tip |
Chamber /
Facing mm |
NB:
Price in Euros. Shipping cost and bank fees will be
added
|
Price |
| Runyon |
Plastic |
.085" |
Small / 23 |
Runyon 6 Black with cap and original lig.
Easy to blow. Reed #3. Modern sound with dark core and
nice edge. |
€85 |
| SYOS |
Plastic |
.102" |
XSmall / 24 |
SYOS Joshua Redman prototype 8* (Selling
for Bob Rockwell) No baffle, small shamber, dark
sound (Bob's description) Blue colour |
€98 |
| Selmer |
HR |
.070" |
Small / 23 |
Selmer Soloist Style C. Measures like a C*,
so is possibly refaced but well done. Good player. |
€110 |
| Selmer |
HR |
.076" |
Small / 23 |
Selmer S 80 "D". Square chamber. Table
has been flattened, a baffle has been added and facing
corrected. Good player with a full sound, medium edgy.
Reed Rigotti Gold 3,5. |
€70 |
| Brand |
Material |
Tip |
Chamber /
Facing mm |
NB:
Price in Euros. Shipping cost and bank fees will be
added
|
Price |
| Vandoren |
HR |
.080" |
Small / 24 |
Vintage Vandoren "7" Same blank as the Diamond
Perfecta, which is the model with the best rubber Vandoren
has ever had. Tip opened from .061" and facing
optimizeded. Wonderful player with a singing, modern
sound. Reed #3 Vandoren Masters lig and silver plated
Bonade inverted cap |
€110 |
| Vandoren |
HR |
.091" |
XSmall
/ 20 |
Vintage Vandoren "S" #8 This is an early precursor for the JAVA with better rubber. Very versatile, can play loud but not as thin sounding as the JUMBO. Reed 2,5 works fine for me. Good alternative to a Berg and more versatile than a Guardala. | €110 |